Education

2006 MFA, University of California, Los Angeles

1996 BFA, San Francisco Art Institute

Upcoming Exhibitions and Projects

2022 Public art commission, Wilshire/La Brea Station, Purple Line, Los Angeles, METRO LA (2022 anticipated completion)

2019 Public art commission, Bay Parkway Station, N Line, Metropolitan Transportation Authority, New York (2019 anticipated completion)

2018 The Strangeness Will Wear Off, David Castillo Gallery, Miami

Selected Solo Exhibitions

2015 Morococha, LAXART, Los Angeles

2013 Smuggling The Sun, Nicelle Beauchene Gallery, New York

Night Shade/Solanaceae, Pérez Art Museum Miami

2012 Open Tuning, E-D-G-B-D-G, 18th Street Arts Center, Los Angeles

2010 Road to Ruins, Steve Turner Contemporary, Los Angeles

2009 Into A Long Punk, Steve Turner Contemporary, Los Angeles

2006 Los Jaichackers, MUCA ROMA, Mexico City

2005 Los Cremators, Queen’s Nails Annex, San Francisco

Mirage, Pennsylvania Academy of the Fine Arts, Philadelphia

Selected Group Exhibitions

2018 Common Forms, PEANA, Monterrey, Mexico

Made in L.A. 2018, Hammer Museum, Los Angeles

School of Chairs, 500 Capp Street Foundation, San Francisco

2017 Tierra, Sangre, Oro, organized by Rafa Esparza, Ballroom Marfa, Marfa, Texas

Figure Ground: Beyond the White Field, organized by Rafa Esparza, Whitney Biennial 2017, Whitney Museum of American Art, New York

2016 Savage Curio, Et al., San Francisco (two-person show with Spencer Lewis)

New Geometries, Fleisher/Ollman, Philadelphia

PaintersNYC, El Museo de los Pintores Oaxaqueños, Oaxaca, Mexico

2015 PaintersNYC, Páramo, Guadalajara, Mexico

Something Else, OFF Biennial Cairo, Egypt

2014 Notes For Now, Prospect.3, New Orleans

2013 ¡Oye, Mira!, Walter and McBean Galleries, San Francisco Art Institute

2012 Going Public, ENPAP, Bilbao, Spain

2011 Stories Song, Pepin Moore Gallery, Los Angeles

2010 Lonarte, Municipality of Calheta, Madeira, Portugal (public art installation)

Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles

             Panorama: Los Angeles, ARCO Madrid

2009 Lovable Like Orphan Kitties and Bastard Children, The Green Gallery East, Milwaukee

            Glue, Paper, Scissors, Luckman Gallery, California State University, Los Angeles

             LA><ART Window: Eamon Ore-Giron, LAXART, Los Angeles

             Engagement Party, Museum of Contemporary Art, Los Angeles

2008 2008 California Biennial, Orange County Museum of Art, Newport Beach, California

Phantom Sightings: Art After the Chicano Movement, curated by Rita Gonzalez, Howard Fox, and Chon Noriega, Los Angeles

County Museum of Art (traveled to: Museo Tamayo, Mexico City; The Museo Alameda, San Antonio, Texas; Phoenix Art

Museum; Museo de Arte de Zapopan, Guadalajara, Mexico; El Museo del Barrio, New York)

2007 Passing Through, The New Amazing, LAXART, Los Angeles

             Cabin Fever, Rivington Arms, New York

2006 Underplayed, Yerba Buena Center for the Arts, San Francisco

        Block Party, Daniel Weinberg Gallery, Los Angeles

             Glitch, Los Angeles County Museum of Art

             Archigram: Remix Project, Queen’s Nails Annex, San Francisco

             We All, Us Three, Esthetics As a Second Language, Los Angeles

             Free Trade, Outpost for Contemporary Art, Los Angeles

2005 Technical Breakdown, Cinemateket, Copenhagen

2003 Retreat, Peres Projects, Los Angeles

             Dilo!, Peres Projects, Los Angeles (collaboration with Julio César Morales)

             Test Tube, New Langton Arts, San Francisco

2002 Bay Area Now 3, Yerba Buena Center for the Arts, San Francisco

2001 Widely Unknown, Deitch Projects, New York

             SF Arts Council Awards, Limn Gallery, San Francisco

            Introductions, Gallery Paule Anglim, San Francisco

             2 Boys and A Girl, The Luggage Store, San Francisco

Artistic Collaborations

2008–present Los Jaichackers, collaboration with Julio César Morales

2005–2013 OJO, seven-person artistic collaboration

Selected Bibliography

2018 Knight, Christopher. “‘Made in L.A. 2018’: Why the Hammer biennial is the right show for disturbing times,” The Los Angeles

Times, June 5, 2018.

Stromberg, Matt. “Resolutely Political LA Artists Focus on the Body in the City’s Latest Biennial,” Hyperallergic, June 4, 2018.

2017 Gropp, Jenny. “Smuggling The Sun,” The Georgia Review, Summer 2017.

2015 Knight, Christopher. “Two perspectives on no way out by Eamon Ore-Giron,” The Los Angeles Times, January 30, 2015.

Slenske, Michael. “LAXART’s Next Phase,” W, January 14, 2015.

2014 Morales, Julio César. “Eamon Ore-Giron in Conversation with Julio Morales,” SFAQ , Issue 19, November–January 2014–15.

Sirmans, Franklin, with contributions by Rita Gonzalez, David C. Hunt, Christine Y. Kim, Rickey Laurentiis, Mary A. McCay,

Melissa A. Weber. “Los Jaichackers.” Prospect.3: Notes For Now. Exh. cat. New York: Prospect New Orleans/U.S. Biennial,

Inc., Prestel, 2014.

2013 Lee, Nathaniel. “Critic’s Pick: Eamon Ore-Giron,” ArtForum, July 8, 2015.

Johnson, Ken. “Eamon Ore-Giron: ‘Smuggling the Sun’,” The New York Times, June 27, 2013.

Laluyan, Oscar. “Geometric Heat Generated by Ore-Giron,” Arte Fuse, June16, 2013.

2010 Provo, Ben. “OJO,” ANP Quarterly, Volume 2, Number 4, 2010.

2008 Gonzalez, Rita, Howard Fox, and Chon Noriega. “Los Jaichackers.” Phantom Sightings: Art After the Chicano Movement. Exh. cat.

Los Angeles: Los Angeles County Museum of Art, 2008.

Gurza, Augustin. “Chicano art, beyond rebellion,” The Los Angeles Times, April 6, 2008.

Gurza, Augustin. “LA Boyz, Welcome to LACMA,” The Los Angeles Times ,March 2, 2008.

2006 Baker, Kenneth. “Played backward or forward, video at YBCA makes for unsettling images,” The San Francisco Chronicle,

December 28, 2006.

2002 Fowler, Brendan. “The Disobedients,” Tokion Magazine, No. 29, May/June 2002.

Joo, Eungie. “New Folk: Stories from The Backyard,” Flash Art , December 2002.

Public Collections

Hammer Museum, Los Angeles,

Kadist, San Francisco

Pennsylvania Academy of the Fine Arts, Philadelphia